Adobe Premiere Pro CC 2019 v13.1 [x64] (2019) PC | RePack by D!akov

Download Adobe Premiere Pro CC 2019 v13.1 [x64] (2019) PC | RePack by D!akov

Year of release: 2018
Version: CC 2019 (13.0.0.225)
Build author: by D! Akov
Interface language: Russian, English, etc.
Treatment: not required (the installer has already been treated)
System requirements:
- Multi-core processor with support for 64-bit computing. Recommended Intel Core 6th generation and above.
- Microsoft Windows 10 (64-bit) version 1709 and higher. Windows 10 v1511 and v1607 are not supported.
- 16 GB of RAM (recommended at least 32 GB).
- Recommended fast SSD (solid state drive) to install the program and media cache.
- Recommended LCD monitor with a resolution of 1920x1080 pixels or more.
- 32-bit graphics card.
- Sound card with support for ASIO protocol or Microsoft Windows Driver Model.
- Internet connection and registration are required to activate software, confirm subscriptions, and access online services.

Description:
Premiere Pro CC is the best video editing software for movies, TV shows and video clips for the Internet.
Tools for creativity, integration with other Adobe applications and services,
as well as modern technology Adobe Sensei help you transform the footage into impeccable films and videos without moving from one workflow to another.
In addition, the new application Premiere Rush, included in the subscription, will allow you to shoot video and edit it on any device - wherever you are.




Import and export of files in H.265 / HEVC format work in this build.
Additional Information:

- Providing optimal performance for future releases, the following operating system versions are required: Windows 10 (version 1703 or higher) or macOS 10.12 (or higher). This includes the following products: Adobe Media Encoder CC 2019, Adobe After Effects CC 2019, Audition CC 2019, Character Animator CC 2019, Prelude CC 2019, and Premiere Pro CC 2019.
Performance and stability are top priorities for all our users. Running our applications on current versions of the Mac and Windows operating systems helps ensure an optimal experience with our tools.
Microsoft discontinued support for basic Windows 8.1 in January 2018. Primary support for Windows 7 support ended in 2015.
Apple announced macOS 10.14 (Mojave) in the fall of 2018 - and we will continue our policy of supporting the latest three versions of MacOS.
In addition to updating the operating system, the performance of video applications depends on the processor (CPU), available memory (RAM), disk subsystem (HDD / SSD) and graphics processor (GPU).
- Adobe Premiere Pro CC 2019 and After Effects CC 2019 will receive the product designation (logo) of the Netflix Post Technology Alliance, since they have joined this alliance. The Post Technology Alliance logo signals that the product meets and will meet Netflix high specifications and delivery specifications.
- Added native support for a number of formats: Arri Alexa LF (Large Format), Sony Venice v2, and HEIF (HEIC) (from iPhone 8 and iPhone X smartphones).
- Improved visibility for QuickTime 32 files makes it easier to identify obsolete media in our projects.
- Improved work with VR content, added support for spatial markers (Spatial Markers) to mark a specific point in the space that needs to be changed or replaced. This is a pretty good feature that can be useful in regular video. Also added mode: Theater Mode.
Added support for 180 VR, including export to Google VR180 format for the YouTube platform.
- New command: Edit> Consolidate Duplicates, it will help clear the project from duplicates.
- In Adobe Stock updated search filters. You can now filter Adobe Stock resources based on frames per second and the duration of the footage. Thus, it is possible to detail the results that really correspond to what we were looking for. You can also find Motion Graphic Templates in Adobe Stock directly in the Essential Graphics panel.
- Improved performance and final rendering. Adobe has implemented hardware decoding and encoding video formats: H.264 and HEVC. Improved image processing provides more responsive timeline playback. This will also affect the best performance of the Lumetri Color.
The hardware support has been expanded, and before that the algorithms were set up.
- Video clips now have the same backlight design as audio clips so that we can see the color of the label when they are selected. Improved readability of clips in the form of icons in the cell.
- In the Lumetri Color panel there are new Hue Saturation Curves curves: Hue vs Sat, Hue vs Hue, Hue vs Luma, Luma vs Sat and Sat vs Sat. They can be found in other programs to work with color. These curves are a great addition for several reasons. They are very useful, and a full set of saturation curves is great for fast color correction. Most of the competitors of Adobe Premiere Pro CC 2019 already have their own full set of curves, and they were especially lacking in the Lumetri Color Engine.
We use these tools to balance the tonal range, or to increase or decrease certain colors.
Using the curve Luma vs Sat, you can get rid of the color shade in a certain range of brightness.
If we have too similar colors, then using Hue vs Hue, change one of the color ranges.
Old tool Hue Saturation Curves removed from Adobe Premiere Pro CC 2019.
- Improved Lumetri work management. Previously, we had to apply several copies of Lumetri to the clip for more advanced color correction, and this was a more cumbersome process, because we had to apply the effect from the Effects panel each time. That now has a pop-up window at the top of the Lumetri panel for adding and managing multiple instances of the Lumetri effect right from the panel.
- Improved workflow in Team Projects. A small update for team projects speeds up the invitation process. Now you can group your employees for greater efficiency. For example, you can invite the entire editing department at the touch of a button!
- Data driven infographics. You can add data from tables for your motion graphics templates, which saves time. You can drag a spreadsheet file and make a circle between the rows of the database. This feature requires that the template be prepared in After Effects. Spreadsheet updates (CSV) are automatically reflected in the graph.
It can also be used to create multiple variations of a pattern by switching between rows, including changing colors based on hexadecimal color values.
- In the settings Edit> Preferences> General a new option has been added: Enable Display Color Management (requires GPU acceleration). It is disabled by default, and is designed to work with a wide color gamut of displays, such as, for example, the Apple iMac Pro. This display color management profile works only with connected monitors (and not when exporting material, etc.); it automatically adjusts the color space for various displays, including P3, rec709 and rec2020 displays.
- Intellectual cleaning sound. Improved Reduce Noise tool and added new Reduce Reverb tool in Essential Sound panel:
- Vector Motion in the Effects Controls panel. When working with a new tool, it is possible to scale and move using the Essential Graphics panel to keep a clear Type. Now it became possible to do it in the Effect Controls panel.

- Optimized workflows for Motion Graphics: responsive design, simplified template development, now you can easily change font settings without editing a template.
- Added and changed effect settings: VR Projection (VR Projection).
Fixed Adobe Premiere Pro CC 2018 errors in Adobe Premiere Pro CC 2019:
- Improved Mercury Playback Engine (Metal) performance.
- Improved Reverse Playback performance for HEVC video.
- Improved GPU performance when running the Lumetri engine, now there are no frame skips for interlaced material.
- Improved playback performance of 8K R3D video for full / half resolutions (macOS).
- For Intel Coffee Lake processors: crash when importing or opening an existing project when the NVIDIA driver is enabled.
- Fixed crash when switching thumbnails display for PNG files.
- Recovery clips are created when working with several open source projects.
- Importing a reference file for some audio (for example, AIFF, MOV) resulted in an error: low-level exception in ImporterMPEG.
- Fixed slow import of several AVCHD files into macOS.
- Fixed crash when switching between Waveform Luma & RGB Alignment workspaces in Lumetri Scope.
- Fixed stability problems on laptops with a discrete GPU running the Windows 10 operating system.
- Fixed several redraw errors, crashes and a blank screen when changing workspaces using the workspace tabs.
- Crash when importing XDCAM files from Nexio / Harris Velocity.
- Crash when using the "Reveal Project in Project Panel" feature with some projects.
- Reverse nested sequence causes the program monitor to display black.
- Files created by an action camera Xiaomi Yi, lead to low-level exceptions, or the application stops responding.
- Duplication of sequences lost effects data.
- After adding the effect of movement (Motion) to the clip on the timeline, the playback froze.
- Fixed problems with growing MXF files from Abekas.
- Fixed hangs in the preliminary rendering of the timeline (green bar).
- Fixed various problems with playing MP4 video on the timeline.
- The application crashed when importing 100 or more files, which required the forced completion of the process of Adobe Premiere Pro.exe.
- Importing FCP XML into a large project caused the program to hang.
- The program may have hung up when importing certain types of files from action cameras GoPro.
- Some Arri Alexa Mini files are displayed incorrectly vertically, not horizontally.
- MOV HEVC files with Codec ID: hev1 were imported as audio only.
- The playback of ALEXA_LF 3840x2160 video did not work.
- R3D video was played with distortion, when setting resolution 1/4 and below.
- On Mac OS, importing MOV video (codec: ProRes 422HQ) could occur with a color shift.
- Fixed incorrect gamma setting for QuickTime files.
- Open GOP video was played with artifacts during hardware decoding.
- Some H.264 files with a specific: frame rate and initial frame rate values ​​were forcibly switched to software decoding.
- After importing 10-bit H.264 videos received color shift.
- Program freezes when importing ARRI RAW video with a resolution of 4448x1856.
- Importing some QT files caused the application to hang or crash.
- Sequential import of XDCAM HD 422 MOV files, could lead to the fact that the files were defined as audio.
- Some audio / video files were imported as video only.
- Filmic Pro files were imported as video only.
- 4K RAW video from Sony FS7 camcorder imported as white screen.
- Fixed problems with workspaces when opening obsolete projects.
- Work areas were not saved with the project.
- Timecode display is inconsistent when multiple timeline panels are visible.
- The opening of the second project opened two project tabs in the project panel.
- Switching to another workspace results in the absence of some or all of the project tabs.
- Adding a marker to a multicam clip caused the sound wave to disappear.
- Fixed illegible display of the clip name on the timeline.
- File selection was not transferred when switching the display of Icon / List clips in the project pane.
- The workflow of markers between the Timeline, Source Monitor and Program Monitor panels was interrupted.
- The Video and audio usage drop-down list did not work if a clip was selected on the project panel.
- Fixed digital distortions in the sound clips in the "zones of silence".
- Dragging clips from one project to another project loses the color of the clip label.
- Moving a clip between projects through the Source Monitor loses the color of the label.
- Merged clips were deleted on the timeline without warning, under certain circumstances.
- Clip marker comments were lost when leaving the project.
- No changes were saved to AJA Capture Settings.
- Saving several open projects that initially had different saved renders, all saved with the current render.
- When AJA io4k is configured to transmit Rec 2020 over HDMI, the result of the image is corrupted.
- With an external Thunderbolt 3 Sonnet eGPU device working with iMac Pro, the creation of a new episode could lead to the closure of the program.
- Incorrect XMP data leads to the absence of frames in the original playback monitor.
- Unexpected behavior when creating two empty subtitles.
- Fixed a problem after setting an input / output point (I / O) and exporting a project with embedded subtitles (for Windows only).
- When importing a file with an open dfxp TTML header and placing it on the timeline, the symbols were superimposed on the Program monitor.
- Fixed the appearance of the Media pending error (red screen with captions) when the value of audio input is set incorrectly (read more here).
- Certain AAF files, after export, cannot be imported to Windows.
- Embedding audio to create AAF deprives the metadata of the audio file.
- Some TS-mixed 5.1 channel files are imported as stereo.
- Distortion of sound when using an ASIO sound card, Decklink device and fast switching between multicam viewing modes could lead to a hang.
- Green / pink glitches along with horizontal lines were observed when playing HEVC and H.264 files with Intel HD Graphics 620 integrated graphics.
- Error compiling movie “software render error” for some third-party plug-ins.
- The effect of Warp Stabilizer did not work correctly with interlaced material.
- Some MPEG2 export settings resulted in pixelation.

RePack features:

RePack features
Type: installation.
Languages: ML.
Cut: nothing.
Treatment: carried out.
• Original distributions with compressed components, due to which it was possible to reduce the size of the installers.
Attention! At the end of the installation, you will be offered to change the home page and visit the repack's author site, do not forget to uncheck the boxes! A visit to the repack's author site in this release is made mandatory. If you do not want to visit the site, have time to close the browser.

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